Wednesday, July 9, 2014

Glenn Miller Plays Selections From The Film "The Glenn Miller Story"


Artist Name: Glenn Miller And His Orchestra
Title: Glenn Miller Plays Selections From The Film "The Glenn Miller Story"
Record Label: RCA Victor
Series: Popular Collector's Issue
Catalog Number: LPT-3057
Format: 10", Vinyl, LP, Mono, Album
Country: U.S.A. 
Year: 1954
Genre: Big Band



TRACKLISTING: 
A-Side
A1 Moonlight Serenade
A2 American Patrol
A3 Pennsylvania Six-Five Thousand
A4 In The Mood
B-Side
B1 Tuxedo Junction
B2 St. Louis Blues
B3 String Of Pearls
B4 Little Brown Jug

COMPANIES:
©RCA
RCA Victor Division, Radio Corporation Of America 

MATRIX NUMBERS:
A side center label: E3VL-4927
B side center label: E3VL-4928
A side run-out stamped: E3VL-4927-5S A5
B side run-out stamped: E3VL-4928-5S C1

ADDITIONAL NOTES:
Track A1: Recorded April 4, 1939
Track A2: From Broadcast April 23, 1942
Track A3: Recorded April 28, 1940
Track A4: Recorded August 1, 1939
Track B1 & B2: Recorded February 5, 1940
Track B3: From Broadcast May 5, 1942
Track B4: From Broadcast June 2, 1940

Printed in U.S.A.
Made in U.S.A

LINER NOTES:
In its search for new fields to conquer, Hollywood has been turning more and more often to films based on the lives and careers of "popular" music makers With various studios having already accorded treatment to such personalities as the Dorsey Brothers. Rodgers and Hart, Gershwin and, however precariously, H-ix Beiderbecke, Universal-International has now turned to one of the most natural of them all — "The Glenn Miller Story."

Tracing Glenn's career from his early days at the University of Colorado to his untimely death in a wartime aircraft accident, the film also covets his music with the same detail and thoroughness. Actually, Glenn's story is most easily told in the eight major tunes heard in the film and on this disc - cerrtainly one of the unique success stories in the annals of popular music.

After his early struggles, inevitable in the career of any bandleader in the mid-thirties, and his great initial success at New York‘s Glen Island Casino, the Miller name was on every tongue. There it was destined to remain through the early war years and after his enlistment in the Army Air Corps, with many members of his band, only served to increase his popularity. In short, Glenn Millet cast on an entire generation a spell from which it has never recovered.

Glenn's performances of certain tunes soon became known as "Miller standards," and so they have remained to this day. Eight of these are heard in the new film, "The Glenn Miller Story," and are presented on this disc in the same manner with which Glenn has continued to hypnotize audiences everywhere. To every pop music fan, regardless of whether his salad days happened to coincide with those of the Miller band or not, titles such as American Patrol, In The Mood, String of Pearls, Pennsylvania Six-Five Thousand and Little Brown Jug tell the real "Glenn Miller Story," and as such, have been wisely chosen by the film-makers to illustrate his particular magic.

These tunes were considered Miller's special property - as, indeed, they were and are - and no one since has been able to perform them in quite the same manner. This is equally true of the other selections in this album: Moonlight Serenade is undoubtedly the best-remembered theme of modern vintage; Tuxedo Junction was as much associated with the Miller band as with its creator, Erskine Hawkins; and St. Louis Blues is just a great example of what the Miller crew could fashion from an old-time standard.

Although Glenn's life was by no means a prosaic one, it is through his music that "The Glenn Miller Story" Should be told, and will continue to he told. His life was irrevocably tied up with the story of wonderful music - and not only to those who grew up with it, for the Miller magic, as these performances demonstrate, is just as compelling today as it ever was. Proof, indeed, that the Miller story has no final chapter.

B. Z.

Hear These Glenn Miller Performances on RCA Victor Records:

Glenn Miller Concert (Vol. I) (One O'Clock Jump; Going Home; St. Louis Blues; Tiger Rag; Everybody Loves My Baby; Georgia on My Mind; Jersey Bounce My Blue Heaven) LPT I6

Glenn Miller Concert (Vol. II) (Anchors Aweigh; My Buddy; I Got Rhythm; I Dream of Jeanie with the Light Brown Hair; Vilia; Limehouse Blues; On the Alamo; On Army Team) LPT 30

Glenn Miller Concert (Vol. III) (Dipper Mouth Blues; April in Paris; Fanhat Stomp; Sleepy Lagoon; Introduction to a Waltz; Intermezzo; Arc You Rusty, Gate; Tchaikovsky‘s Piano Concerto) LPT 5001

This is Glenn Miller and his Orchestra (Johnson Rag; My Isle of Golden Dreams; Beautiful Ohio; Pavanne; Danny Boy; Adios; Anvil Chorus) LPT 3002

Tuesday, June 24, 2014

Chicago - Hard Habit To Break / You're The Inspiration


Artist Name: Chicago
Title: Hard Habit To Break / You're The Inspiration
Record Label: Warner Bros. Records
Catalog Number: GWB 0519
Series: Back To Back Hits
Format: 7", Vinyl, Single, Reissue, 45 RPM
Country: U.S.A.
Year: 1984
Genre: Ballad



TRACKLISTING:
A-Side
A [4:43] Hard Habit To Break
B-Side
B [3:39] You're The Inspiration

CREDITS:
Engineer, Mixed By: Humberto Gatica
Produced By: David Foster

MATRIX NUMBERS:
A side center label: BCA 2833S
B side center label: BCA 2835S
A side run-out etched: GWB 0519 - BCA 2833-SSR1 X SRC
B side run-out etched: GWB 0519 - BCA 2835-SR2 SRC 11

RIGHTS SOCIETIES:
ASCAP
BMI

ADDITIONAL NOTES:
1984 Warner Bros. Records Inc, for the U.S.

Track A: April Music Inc. & Stephen A. Kipner ASCAP / Music Corporation Of America BMI
Track B: Double Virgo Music ASCAP / Foster Frees Music, Inc. BMI

From the Warner Bros album Chicago 17 (1-25060)

Thursday, June 5, 2014

Knuckles O'Toole - Honky Tonk Piano


Album: Honky Tonk Piano
Record Label: Waldorf Music Hall
Catalog Number: MH 33-119
Year: 1955
Format: 10", Vinyl, LP, Mono, Album
Country: U.S.A.
Genre: Ragtime




TRACKLISTING:
A-Side
A1 [3:11] Medley
→ Crazy Otto Rag
→ There'll Be Some Changes Made  
→ Ida
A2 [2:31] Medley
→ I Wonder Whose Kissing Her Now          
→ The Band Played On        
→ I Love You Truly  
A3 [2:55] Medley
→ Bicycle Built For Two      
→ The Bowery          
→ The Sidewalks Of New York       
A4 [2:36] Medley
→ Sorrento    
→ Santa Lucia           
→ O Sole Mio            
B-Side
B1 [2:16] If You Knew Susie
B2 [2:34] Medley
→ Peg O' My Heart
→ Shine On Harvest Moon   
B3 [2:25] Medley
→ Harrigan
→ You're A Grand Old Flag
→ Yankee Doodle Boy
B4 [2:26] Paper Doll

Playing Time.........: 00:20:54

CREDITS:
Illustration: Tracy Sugarman

COMPANIES:
Record Company: Waldorf Music HallRecords
Manufactured By: Waldorf Record Corp.

MATRIX/RUN-OUTS:
A side center label: MH 33-119A
B side center label: MH 33-119B
A side run-out etched: 33119A
B side run-out etched: 33119B

ADDITIONAL NOTES:
The above tracklising is different from the label. The above is correct based on actual play of record. For comparison, view the center labels in the image section.

LINER NOTES:

FDR Full Dynamic Range

Means "Full Dynamic Range" High Fidelity Recordings

LONG PLAYING.33-1/3 R.P.M.:
NOW FOR THE FIRST TIME WALDORF MUSIC HALL presents long Playing High Fidelity Recordings with FDR, “Full Dynamic Range”
"Full dynamic range" recording makes possible or glorious panorama of SOUND-COLOR which represents the most modern advance in recording technique. ”Full dynamic range" recording gives on added warmth and "in person” quality to your favorite music.

Here is a list of some of the long playing records available on WALDORF MUSIC HALL “full dynamic range" recordings. WALDORF MUSIC HALL long playing records present up to 30 minutes of music on each recording.

Waldorf Music Hall Records

Friday, April 25, 2014

Al Hirt - Swingin' Dixie Volume 3 (Al Hirt At Dan's Pier 600, Vol. 3)


Artist Name: Al Hirt
Title: Swingin' Dixie Volume 3 (Al Hirt At Dan's Pier 600, Vol. 3)
Catalog Number: AF-C-5926
Format: Cassette, Album
Country: U.S.A.
Year: ?
Genre: Dixieland




TRACKLISTING:
A-Side
A1 [4:45] Basin Street
A2 [2:28] Mack The Knife
A3 [3:15] Down By The Riverside
A4 [3:44] South Rampart Street Parade
A5 [2:35] When My Sugar Walks Down The Street
A6 [3:31] Dixieland One-Step
B-Side
B1 [3:40] Lullabvy Of Birdland
B2 [3:04] My Didn't He Ramble
B3 [3:32] Bill Bailey
B4 [3:51] High Society
B5 [2:49] Up A Lazy River
B6 [3:32] Sweet Georgia Brown

Playing Time.........: 00:40:46

CREDITS:
Orchestra: Al Hirt And The Dixieland Orchestra

COMPANIES:
Record Company: Audiofidelity Enterprises, Inc.

ADDITIONAL NOTES:
Additional catalog numbers:
AFE ‎– AF-C-5926 (on spine of j-card)
Audio 10 ‎– A10 5926-C (on the cassette)

Friday, April 4, 2014

Various Artists - The Best Of Dixieland


Artist Name: Various Artists
Title: The Best Of Dixieland
Record Label: Guest Star
Catalog Number: G 1401
Format: Vinyl, LP, Mono, Album
Country: U.S.A.
Year: 196?
Genre: Dixieland



TRACKLISTING:
A-Side
A1 [3:20] [The Original Dukes Of Dixieland] Wailin' Blues
A2 [3:45] [The Original Dukes Of Dixieland] Swanee River Session
A3 [6:00] [The Dixieland Greats] When The Saints Go Marching In
B-Side
B1 [3:45] [The Original Dukes Of Dixieland] Jazz Me Blues
B2 [5:15] [The Dixieland Greats] Diamonds And Pearls
B3 [4:30] [The Dixieland Greats] Billboard Blues

CREDITS:
The Original Dukes of Dixieland: Frank Assunto, Freddie Assunto, "PaPa" Jac Assunto
The Dixieland Greats: Arnell Shaw, Buck Clayton, Bud Freeman, Jo Jones, Lou Carter, Pee Wee Russel, Vic Dickenson

COMPANIES:
Manufactured By: Synthetic Plastics Company

MATRIX NUMBERS:
A side run-out etched: NEW 1401A
B side run-out etched: NEW G 1401B

LINER NOTES:
Guest Stars THE ORIGINAL DUKES OF DIXIELAND with the assistance of the Dixieland Greats, make this a sensational album "The Best Of Dixieland", a must for every lover of Dixieland jazz. The Dukes of Dixieland are the most spectacular and sought-after Dixieland combos in this country. They carry on the fine tradition of Dixieland jazz as it was started years ago.

Just before and during World War I, many musicians came to Chicago from the South. Five of them formed what eventually became known as the "Original Dixieland Jazz Band". They moved to New York and won fame there in 1917. That year they became the first jazz band to make phonograph records. The Dukes of Dixieland have the remarkable faculty of drawing their inspiration from the original Dixieland Band and playing in strict oldtime New Orleans style, and at the same time giving the music a modern and sophisticated touch. The group plays from special arrangements that give full scope to their electrifying enthusiasm and solid musicianship.

The origins of the Original Dukes of Dixieland goes back to 1948 to New Orleans, where two brothers, Frankie and Freddie Assunto, formed a small band for the pleasure they got out of playing oldtime Dixieland music. From these beginnings, came the group which is outstanding today for its perfect combination of technical ability and authentic Dixieland style. Dixieland jazz has an important place in the history of jazz in this county - and as played by the Dukes of Dixieland, it is truly classic - a treat for devotees of this highly specialized form of music.

Guest Star's "The Best Of Dixieland" also features these exceptional performers of Dixieland jazz: Arnell Shaw, Peewee Russell, Buck Clayton, Vic Dickinson, Bud Freeman, Jo Jones and Lou Carter - who make up the Dixieland Greats.

It is with much pleasure that Guest Star brings you this album, recorded with the highest quality techniques - to bring you the cream of Dixieland jazz artists.

Look for additional Guest Star albums in your favorites store

In Guest Star Records you will find a superb selection of the finest music enhanced by the guest appearances of America's leading musical talents.

TECHNICAL DATA

This record represents the finest quality of multi-channel recording that can be achieved through the finest equipment available today.

All of out material is recorded on Ampex tape machines using a multiple microphone technique, so that a microphone whose qualities best suit the instrument being recorded can be used to give optimum in sound reproduction. Microphones used are: Telefunken U-47, U-48, KM-56; Western Electric 639A, RCA-44-BX; Bayer M-160 and Sony C37A.

Guest Star Records a product of Synthetic Plastics Company, Newark, I.J., U.S.A.

Monday, March 24, 2014

Frank Chacksfield - Hawaii - Promo


Title: Hawaii
Record Label: London [Phase 4 Stereo]
Catalog Number: SP 44087
Format: Vinyl, LP, Mono, Album, Promo
Country: U.S.A.
Year: 1967
Genre: Big Band




TRACKLISTING:
A-Side
A1 [2:12] Hawaiian War Chant
A2 [3:39] Maroi Farewell Song
A3 [3:25] Red Sails In The Sunset
A4 [2:40] On The Beach At Waikiki
A5 [2:57] Sweet Leilani
A6 [3:47] Bali Ha'i
B-Side
B1 [2:30] Hawaiian Wedding Song
B2 [2:10] Coco-Nut
B3 [2:24] Blue Hawaii
B4 [2:07] My Little Grass Shack In Kealakekua
B5 [3:12] The Moon Of Manakoora
B6 [2:15] Aloha, Oe!

Playing Time.........: 00:33:18

CREDITS:
Engineer: Arthur Lilley
Producer: Tony D'Amato

COMPANIES:
Record Company: London Records, Inc.

MATRIX NUMBERS:
A side center label: 7367
B side center label: 7368
A side run-out stamped: ARL7367T1 I
B side run-out stamped: ARL7368T2 I

RIGHTS SOCIETIES:
ASCAP

ADDITIONAL NOTES:
Promotional Mono LP Not For Sale

Made in U.S.A.


LINER NOTES:
Imagine that you are in Hawaii a long time ago, a time when there was no tourist trade as such but native (Polynesian) Hawaiians leading a life comprised primarily of agriculture. fishing, and feasts to celebrate the gods in whose legends they had great belief.

In the stillness of the star-laden night broken only by the crashing of the ocean waves, a group of people gather - the graceful women wearing a skirt called a pa-u and a shawl or kihei, and the men attired in their malos or loin cloths. All of the clothing has been made by the women and is of kapa, the inner bark of certain trees and plants found on the island. Many of the pa-us, kiheis, and malos are colorful, for they have been dyed and some have been stamped with designs of brilliant colors.

The instruments they used - the nose flute, the whistling hokeo, the ukeke (musical bow), and the pu (resonant conch shell) - are now to be found in museums. In their place are the ukulele and steel guitar which give Hawaiian music the tone and feeling that it had in the past.
A luau is born; music, singing, and the sound of ti-leaf skirts swaying cover the silence with a rhythmic beauty which is Hawaii's alone. You are attracted by the pulsating rhythms of "Hawaiian War Chant" which drift through the quiet night, and come to hear and see one of the most exciting events you are ever to witness. If this is your first luau, it should be explained that the luau is an exotic ceremonial feast of which the principle constituents are music, dance, and food. As you near the feast, the smell of pig roasting in an imu (or oven) on a bed of taro and ti leaves as the aromas from laulau and lomilomi promise a succulent and enjoyable meal.
But it is impossible to think of food alone, for the hula is being danced by many beautiful girls in ti-leaf skirts. The dance is essentially religious, with each hand and arm movement having a special meaning and the single dance as a whole portraying one of the legends of the gods, a ballad, or a whole chronicle.
Now another dance has begun, that belonging to the "Maori Farewell Song." And so the luau will continue until it is time to say Aloha, Oe!

Sunday, March 23, 2014

The Dukes of Dixieland Featuring Pete Fountain (Reissue)

Artist Name: The Dukes Of Dixieland
Title: The Dukes of Dixieland Featuring Pete Fountain
Record Label: RCA Victor
Catalog Number: LSP-2097(e)
Format: Vinyl, LP, Stereo, Album, Duophonic, Reissue
Country: U.S.A.
Year: 




TRACKLISTING:
A-Side
A1 [3:30] At The Jazz Band Ball
A2 [3:23] Beale Street Blues
A3 [4:30] Muskrat Ramble
A4 [2:53] Blue Prelude
A5 [4:15] That's A-Plenty
A6 [3:26] Original Dixieland One-Step
B-Side
B1 [3:43] Panama
B2 [2:54] Wolverine Blues
B3 [3:20] Fidgety Feet
B4 [6:51] Tin Roof Blues
B5 [3:36] Tiger Rag
B6 [3:53] When The Saints Go Marching In

Playing Time.........: 00:22:14

CREDITS:
Trumpet: Frankie Assunto
Trombone: Freddie Assunto
Clarinet: Pete Fountain
Piano: Artie Seelig
Bass: Bill Potter
Drums: Roger Johnston


COMPANIES:
Record Company: RCA Corporation

MATRIX NUMBERS:
A side center label: M2PY-3092
B side center label: M2PY-3093
A side run-out stamped: M2P43092-6S-AIF R
B side run-out stamped: M2P4-3093-6S-AIK R

RIGHTS SOCIETIES:
ASCAP: (tracks: A1-A5, B1-B5)
BMI: (track: A6)

ADDITIONAL NOTES:
Originally released as XLA-1025 "At the Jazz Band Ball" on 78s in 1955.

Dynaflex

Made in U.S.A.

On front cover: © RCA Printed in U.S.A.
On back cover: © by Radio Corporation Of America, 1961

LINER NOTES:
The Dukes of Dixieland obviously get a tremendous wallop out of music-making. They have always been able to kick into the ensembles like the liner United States plowing into twenty-foot waves. But it was during the time that they were spark-plugged by the hard-driving, albeit soulful and expressive, clarinet of Pete Fountain that they were in their peak form. Here are The Dukes as they were heard during their finest period—the era when their unbeatable combination of great enthusiasm and enormous ability made theirs one of the truly fine jazz groups of all time.

FROM THE ORIGINATORS OF ELECTRONICALLY REPROCESSED STEREO

This record is the result of lengthy research and experimentation in the development of an electronic process that transforms monophonic recordings to two-channel recordings with stereophonic characteristic. By means of this unique electronic process, developed by RCA Victor, yesterday's irreplaceable recorded performances  take on the spacious depth of sound that the stereo phonograph of today is capable of reproducing, while still preserving the artistic intent of the original performance.

IMPORTANT! RCA Victor's monophonic records can be played on stereophonic phonographs. RCA Victor's electronically reprocessed records with two-channel stereophonic characteristics (Stereo/Electronically Reprocessed) must be played on phonographs equipped for stereophonic reproduction. RCA Victor's MIRACLE SURFACE stereophonic records contain 317X, the antistatic ingredient which helps keep records dust free, helps prevent surface noise and helps insure faithful sound reproduction.

Saturday, March 22, 2014

Dick Haymes - Serenade

Artist Name: Dick Haymes
Title: Serenade
Record Label: Decca
Catalog Number: DL 5341
Format: 10", Vinyl, LP, Mono, Album
Country: U.S.A.
Year: 1951




TRACKLISTING:
A-Side
A1 It Might As Well Be Spring         
A2 It's A Grand Night For Singing   
A3 It's Magic
A4 Searching Wind   
B-Side
B1 When I'm Not Near The Girl I Love        
B2 My Future Just Passed     
B3 Some Hearts Sing
B4 Our Waltz

CREDITS:
Orchestra: Victor Young And His Orchestra (tracks: A1,B4), Gordon Jenkins And His Orchestra (tracks: A3, B1)
Orchestra Directed By:
Earle Hagen (tracks: A2, B3)
Chorus Directed By:
Earle Hagen (track: A2)
Vocal Trio:
Les Paul Trio (track: B2)


COMPANIES:
Manufactured By: Decca Records, Inc.

MATRIX NUMBERS:
A side center label: MG 2106
B side center label: MG 2107
A side run-out stamped: MG2106T2 3
B side run-out stamped: MG2107T2 3

ADDITIONAL NOTES:
Copyright 1951, Decca Records, Inc.

Made in U.S.A.
Printed in U.S.A.

LINER NOTES:
About the songs . . .
The melodic tones of Dick Haymes' resonant baritone voice have long created a sonorous setting of romance around every tune he has sung, He is endowed with that ease of interpretation a casual flowing style, and a pure lyrical charm which have made favorites of "It's A Grand Night for Singing" and "It Might As Well be Spring," songs he made famous in “State Fair.“ In this collection. Dick combines the warmth of these melodies and others such as "Our Waltz" and "It's Magic" with the rollicking good humor of “When I'm not Near the Girl I Love" and brings to each listener a "Serenade" to be remembered.

About Dick Haymes . . .
Topnotchers in any field have in common the ability to convey on impression of effortless ease, to make their skill seem commonplace. Dick Haymes has that ability - the kind of style that leads his listeners to believe they could chime right in and duplicate his tonal quality and his interpretive expression. But, it Dick's song delivery makes you say to yourself "I could do that, too,” don't fall into the error at thinking it's quite as easy as it sounds!

Dick had on early lead on the average vocal aspirant. His mother, Marguerite Haymes, was a well-known concert singer. veteran of many successful world tours. Once she had satisfied herself that her youngster had the necessary natural vocal equipment, he became her first and foremost pupil. By the time he was sixteen, the quality of Dick's voice and his mastery of technique were such that he attracted the attention of Johnny Johnson, whose band was playing at a Monmouth, New Jersey, resort hotel where Dick was having fun in an amateur musical production. Johnny offered the sixteen-year-old the singing spot with his orchestra for the remainder of the summer season. Dick accepted and thereby became the youngest band vocalist in the United States. But when school hells rang again in the fall he had to be content to step out of "professional" ranks to organize his own high school orchestra.

Finishing school, Dick headed for California and a variety of jobs, including movie extra, horse-opera bit player, radio singer, deep-sea fishing guide, bandleader. and songwriter. He was no world-healer in any of these categories but, as Dick himself puts it: "I can honestly say I don't know whether my successes or my failures have made me what I am today." In I939, Dick decided to shower New York City with the fruits of his songwriting labors. He headed East and approached trumpeter Harry James. Harry's reactions were swift: "Your songs are lousy." he grinned, "But I'll buy that voice of yours."

From that time, Haymes went on up the ladder, rung by rung, success after success. He sang with James, with Benny Goodman, and Tommy Dorsey. In 1942, he got his chance in Hollywood with "DuBarry Was A Lady." After a couple of minor parts, in which his personality registered as strikingly as did his voice. Dick was given the lead in "Where Irish Eyes Are Smiling." He's been starred by Twentieth ever since - in "Diamond Horseshoe," and then in "State Fair," one of the most successful films of I945 and, incidentally, one of Decca's most successful albums, with Dick singing the grand Rodgers-Hammerstein tunes from the picture. Next came the hit movie "Do You Love Me," followed by "The Shocking Miss Pilgrim," and "Carnival In Costa Rica,” among others. He starred in night clubs and recorded for Decca; his records sold so widely that Haymes won the title "King of the Juke Boxes." In "Diamond Horseshoe" Haymes played opposite his former boss's lovely wife and wired Harry James: "Is it true that you married my best girl, Betty Grable?" In "Do You Love Me" he played the part of a crooner - a crooner who sings with Harry James's band! His roles multiplied in bewildering progression. And the chapters of the Haymes success story are still at the beginning of the book.

This Decca Long Play Microgroove Unbreakable Record can be played only on 33 ⅓ RPM instruments. For maximum protection it should be kept in this envelope, away from heat.

Pee Wee Hunt - A Hunting We Will Go!

Artist: Pee Wee Hunt
Title: A Hunting We Will Go (That's The Way The Fox Trots!) 
Record Label: Capitol
Catalog Number: ST 1265
Format: Vinyl, LP, Mono, Album
Country: U.S.A.
Year: 1961
Genre: Dixieland





TRACKLISTING:
A-Side
A1 [2:47] Indiana (Back Home Again In Indiana)
A2 [3:02] Jealous
A3 [2:16] Doodle Doo Doo
A4 [2:43] Put On Your Old Grey Bonnet
A5 [2:42] The One I Love (Belongs To Somebody Else)
A6 [2:40] Muskrat Ramble
B-Side
B1 [3:42] Mack The Knife
B2 [2:35] Ain't Misbehavin'
B3 [2:22] Royal Garden Blues
B4 [3:32] How Come You Do Me Like You Do
B5 [2:36] Ja Da
B6 [2:33] Am I Blue?

Playing Time.........: 00:27:30

CREDITS: 
Produced By: Andy Wiswell
Vocal By: Walter "Pee Wee" Hunt (tracks: A3, A4, B1, B2, B4, B6)

COMPANIES:
Mfd. By: Capitol Records, Inc.

MATRIX NUMBERS:
A side center label: T1-1523
B side center label: T2-1523
A side run-out stamped: T1-1523-N1
B side run-out stamped: T2-1523-D2

RIGHTS SOCIETIES:
ASCAP

ADDITIONAL NOTES:
Made in U.S.A.
Factories in Scranton, PA. - Los Angeles, Calif.

LINER NOTES:
This album might have been entitled :What Makes Pee Wee Hunt?" - for it contains a dozen perfect examples of the happy, danceable style of music which has made Pee Wee a favorite of millions for lo,  these many years. Actually , there's very little "hunting" involved in the music that foxy Pee Wee and his boys play. You never have to search for the beat, because it's always right there, to the everlasting delight of the dancers in the crowd. And one certainly doesn't need a pack of bloodhounds to track down the melody, either. Pee Wee prefers the tried and true standards, the tunes that people want to hear over and over again, and although the Hunt crew does some pretty tasty improvising on each number, they are usually content to let a familiar melody stay that way.

Here, in a pleasantly varied assortment of dance tempos, the jolly "Huntsman" offer a program made up almost entirely of old-time favorites like Jealous, Ain't Misbehavin', and Am I Blue, as well as such Dixieland specials as Royal Garden Blues and Muskrat Ramble, played in Pee Wee's most rollicking two-beat manner. And the genial maestro even sets aside his mellow trombone to sing a couple of numbers, including Mack The Knife, the only modern-day hit among this great collection of all-timers.

So come along to Pee Wee;s happy hunting ground, where the dancing is great and the listening's even better. This fine album is all the license you'll need.

This monophonic microgroove recording is playable on monophonic and stereo phonographs. It cannot become obsolete. It will continue to be a source of outstanding reproduction, providing the finest monophonic performance from any phonograph.

Thursday, March 20, 2014

The New Orleans Swingers - The Roaring Sound Of Percussive Banjos

Artist: The New Orleans Swingers
Album: The Roaring Sound Of Percussive Banjo
Record Label: Grand Prix Series
Catalog Number: K-180
Year: 1965
Format: Vinyl, LP, Stereo, Album
Genre: Dixieland
More Images





TRACKLISTING:
A-Side
A1 [02:00] Give My Regards To Broadway
A2 [04:06] Sidewalks Of New York
A3 [02:53] Dixie
A4 [02:47] The Bowery
A5 [02:17] Rings On My Fingers
B-Side
B1 [02:47] Bedelia
B2 [01:47] Cuddle Up A Little Closer
B3 [01:49] Shine On Harvest Moon
B4 [04:54] Heart Of My Heart
B5 [02:08] My Gal Sal

Playing Time.........: 00:27:28

CREDITS:
Featuring: Mr. Strum

COMPANIES:
Record Company: Pickwick International, Inc.

MATRIX NUMBERS:
A side center label matrix: K-180-A
B side center label matrix: K-180-B
A side run-out etched: AK-180A
B side run-out etched: AK-180B

LINER NOTES:
THE GRAND PRIX SERIES

COMPLETE AUDIO RANGE

Here on THE GRAND PRIX SERIES you have a complete music folio to satisfy Grandma and Grandpa right down to the baby. If your tastes run to Cha Cha Cha let the rhythmic sound Of Noro Morales play his latin beat. If its Hymns, there is a group to really please. The great musical shows are here. Dance music from The Twist to Square Dances, Classical Music, Songs and Stories for children.

It's all here - yes, THE GRAND PRIX SERIES has all the music you need for the perfect lon playing record library.

Not only is the music here but the sound is phenomenal, whether you be a hi-ri enthusiast or a stereo fan, our Complete Audio Range will do more than please you. It will thrill you. Listen and enjoy music in your llfa.

Musical Enjoyment For The Entire Family

The Dukes of Dixieland Featuring Pete Fountain

Artist Name: The Dukes Of Dixieland
Title: The Dukes of Dixieland Featuring Pete Fountain
Record Label: RCA Victor
Catalog Number: LSP-2097(e)
Format: Vinyl, LP, Stereo, Album, Duophonic
Country: U.S.A.
Year: 1961
Genre: Dixieland
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TRACKLISTING:
A-Side
A1 [3:30] At The Jazz Band Ball
A2 [3:23] Beale Street Blues
A3 [4:30] Muskrat Ramble
A4 [2:53] Blue Prelude
A5 [4:15] That's A-Plenty
A6 [3:26] Original Dixieland One-Step
B-Side
B1 [3:43] Panama
B2 [2:54] Wolverine Blues
B3 [3:20] Fidgety Feet
B4 [6:51] Tin Roof Blues
B5 [3:36] Tiger Rag
B6 [3:53] When The Saints Go Marching In

Playing Time.........: 00:22:14

CREDITS:
Trumpet: Frankie Assunto
Trombone: Freddie Assunto
Clarinet: Pete Fountain
Piano: Artie Seelig
Bass: Bill Potter
Drums: Roger Johnston


COMPANIES:
Record Company: Radio Corporation Of America

MATRIX NUMBERS:
A side center label: M2PY-3092
B side center label: M2PY-3093
A side run-out stamped: M2 PY3092-1S
B side run-out stamped: M2 PY3093-1S

RIGHTS SOCIETIES:
ASCAP: (tracks: A1-A5, B1-B5)
BMI: (track: A6)

ADDITIONAL NOTES:
Electronically reprocessed stereo reissue of XLA-1025 "At the Jazz Band Ball" released on 78s in 1955.

© by Radio Corporation Of America, 1961

LINER NOTES:
The Dukes of Dixieland obviously get a tremendous wallop out of music-making. They have always been able to kick into the ensembles like the liner United States plowing into twenty-foot waves. But it was during the time that they were spark-plugged by the hard-driving, albeit soulful and expressive, clarinet of Pete Fountain that they were in their peak form. Here are The Dukes as they were heard during their finest period—the era when their unbeatable combination of great enthusiasm and enormous ability made theirs one of the truly fine jazz groups of all time.

Tuesday, March 18, 2014

Tommy Dorsey And His Orchestra - The Old Chaperon / L-L-L-L-A

Artist Name: Tommy Dorsey And His Orchestra
Title: The Old Chaperon / L-L-L-L-A
Record Label: RCA Victor
Catalog Number: 20-2468
Format: 10", Shellac, 78rpm, Mono
Country: U.S.A.
Year: 1947
Genre: Big Band
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TRACKLISTING:
A [02:44] The Old Chaperon
B [02:40] L-L-L-L-A

Playing Time.........: 00:05:24

CREDITS:
Written By: Ramez Idriss - George Tibbles.
Vocal Refrain By: Mae Williams (tracks: A, B), Stuart Foster (track: A), The Town Criers (tracks: A, B)

COMPANIES:
Record Company: Radio Corporation of America

MATRIX NUMBERS:
A side center label: 20-2468-A
B side center label: 20-2468-B
A side run-out stamped: 20-2468A 3S2 IV
B side run-out stamped: 20-2468B 7S1 IV

Various Artists - Country And Western Hits

Artist Name: Various Artists
Title: Country And Western Hits
Record Label: Waldorf Music Hall
Catalog Number: MH-33 129
Format: 10", Vinyl, LP, Mono, Compilation
Country: U.S.A.
Year: 1955
Genre: Country & Western 




TRACKLISTING:
A-Side
A1 [01:46] [The Bunkhouse Trio] You Are My Sunshine
A2 [02:16] [Doug Wells & The Deerhill Squares] Love Sick Blues
A3 [01:49] [Leonard Zinn & His Steel Guitar] Steel Guitar Rag
A4 [02:42] [The Bunkhouse Trio] Cool, Cool Water
B-Side
B1 [02:02] [The Bunkhouse Trio] Rose Of San Antone
B3 [01:57] [Doug Wells with Orchestra] Let Me Be The One
B4 [01:51] [Doug Wells with Orchestra] Doggone It Baby I'm In Love

Playing Time.........: 00:16:37

LINER NOTES:
FDR FULL DYNAMIC RANGE

99¢

LON PLAYING 33-1/3 R.P.M.:

NOW FOR THE FIRST TIME WALDORF MUSIC HALL
presents Long Playing High Fidelity Recordings with FDR, "Full Dynamic Range"

"Full dynamic range" recording makes possible a glorious panorama of SOUND-COLOR which represents the most modern advance in recording technique. "Full dynamic range" recording gives added warmth and 'in person" quaility to your favorite music.

WALDORF MUSIC HALL long playing records present up to 30 minutes of music on each recording.

*MEANS 'full dynamic range" HIGH FIDELITY RECORDINGS

WALDORF MUSIC HALL RECORDS

MADE IN U.S.A.

Pee Wee Hunt - Dixieland Kickoff

Artist: Pee Wee Hunt
Title: Dixieland Kickoff
Record Label: Capitol
Catalog Number: ST 1265
Format: Vinyl, LP, Stereo, Album
Country: U.S.A.
Year: 1959
Genre: Dixieland




TRACKLISTING:
A-Side
A1 [02:25] Illinois Loyalty (University Of Illinois)
A2 [02:39] Notre Dame Victory March (University Of Notre Dame)
A3 [01:55] As The Backs Go Tearing By (Dartmouth College)
A4 [02:27] The Victors (University Of Michigan)
A5 [01:59] The U. Of M. Rouser (University Of Minnesota)
A6 [02:02] Across The Field (Ohio State University)
B-Side
B1 [02:20] Down The Field (Yale University)
B2 [01:58] Iowa Corn Song (State University Of Iowa)
B3 [02:26] Fight On For U.S.C. (University Of Southern California)
B4 [02:40] Our Director (Harvard University)
B5 [02:59] The Princeton Cannon Song (Princeton University)
B6 [02:12] On Wisconsin (University Of Wisconsin)

Playing Time.........: 00:28:02

CREDITS: 
Cover Photo By: Joe Covello 
Produced By: Andy Wiswell

COMPANIES:
Manufactured By: Capitol Records, Inc.

MATRIX NUMBERS:
A side center label: ST1-1265
B side center label: ST2-1265
A side run-out etched: ST1-1265-D1#2
B side run-out etched: ST2-1265-D1

ADDITIONAL NOTES:
©1959 Capitol Records, Inc.
Made in U.S.A.
Factories: Scranton, PA. - Los Angeles, Calif.

LINER NOTES: 
Kickoff! The home team snags the ball, smashes its way back to midfield in a brilliant return, and loyal alumni rise and roar as the college band breaks into the old school fight song. Ah, what memorable moments! And here's all the high-spirited fun of a Saturday afternoon as the redoubtable Pee Wee and his team invade the nation's campuses and give the Hunt two-beat treatment to a dozen of the country's rousin'est collegiate fight songs.

Pee Wee has picked these favorite tunes primarily for their musical zest, but they range across the country from the Ivy League to Southern Cal. And, the happy thing is, his skedaddlin' style and march-down-the-field tempos will stir up those zippy game-day get-togethers just as much even if you're headed out to cheer for old Slippery Rock High. And if you're one of those people who think a split T is a minor golfing catastrophe, you'll still find this the good time album of any season.

So whether the agenda calls for dancing, cheering yourself hoarse in the crackling outdoor air, or just listening, let's break up the huddle, put the record on, and get a real ball rolling...45...78...33...Hike!

STEREO NOTE: Pee Wee's bounding trombone leads every play to a win as he calls the signals from the fifty-yard line, with close support from trumpet and clarinet. Bass and drums hold down the end zone on the right, piano and guitar are on the left.